Main mix outputs and aux output s are mixes that are sent to yo.
Mixer control room out.
Don t worry about where the control room is.
There is also a min mix switch that send the main mix output to the phones cntrl room output.
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Just give it a go.
The control room outs on my zed r16 are pretty harsh on the high end like 1khz and up.
I connect monitors and headphones via control room out not main out.
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When i plug my monitors into the main outs everything sounds normal or at least close to what i m used to a tascam 16x08 as interface.
Ok octevio the main outs on a mixer console is your stereo output sockets the connectors are a 3 pin xlr on your larger console but it can also be a 6 5 mm trc jack sockets or rca.
Use that to monitor the main out when you need to.
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I take sound card out and feed that to the desk tape in which i route to the control room.
I ve just read k s response to one of the posts and he suggests connecting speakers to control room and use main out for recording devices.
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Control room seems to be an often overlooked and very powerful feature in cubase that has been around for a long time but seems misunderstood.
If you are in the room with the mixer then that is the control room.
Ideally control rooms are designed to be carefully regulated in terms of sound isolation and accurate sound reproduction as this is where the final decisions are made about how a recording will sound.
I ve always thought it was best to turn up the source to avoid washing it out.
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By doing it this way any changes to listening level are independent of desk settings.
The idea is that you can let signals go thru the mixer unaffected while being able to solo stuff or listen at different volume while recording hence monitor outs and a.